Ana Popescu takes pleasure within the on a regular basis. Her artwork transforms a desk of oranges or a neighbour’s shrubs right into a covetable sight, utilizing daring colors and brilliant gentle to present objects a second life in two dimensions. The illustrations of this Vienna-based artist are a revitalising tonic: the one blues listed here are cloudless skies and funky swimming pools.
After her extremely profitable Houses collection, Ana collaborated with Google, Soho Home and Wrap, earlier than her fascination with gentle and shadow guided her by means of residencies the world over. We caught up with Ana to listen to about her vibrant model, love for David Hockney and studying to see magnificence within the on a regular basis.
How lengthy have you ever been making artwork and what made you select a artistic profession?
I studied printmaking and drawing on the College of Utilized Arts in Vienna from 2008 to 2013, and determined to pursue a profession on this area. Even when it appears like a cliché, I’ve been drawing constantly since I used to be a child, and I’ve at all times been fascinated by the completely different methods.
How do you resolve what medium you’re going to make use of for an illustration?
That depends upon various factors, just like the temper of the second, the scale of the concept, if I’m travelling at that second, what aesthetic I take into account. Normally it extends from which colors I would like on the paper, so I’ll select between acrylic paint, acrylic markers or oil pastels.
Your artwork may be very exact, but in addition daring and vibrant – it has a beautiful method of creating ephemeral issues really feel strong. What do you assume have been the best influences in your work?
It’s very tough to make an entire checklist of what influences me! However I’d say it’s a combination between artists like David Hockney and Alex Katz, a lot of graphic novels, Japanese woodblock prints, structure and cities typically. I’m fully fascinated by the colors and lightweight I can discover in Tokyo whereas strolling down the streets, but in addition by my environment right here in Vienna.
You’re greatest recognized to your Houses collection, which imagines pristine mid century villas. What’s it that pulls you to those sorts of areas?
I’m an enormous fan of huge empty areas. There’s one thing fascinating about them that I can observe for a really very long time, like taking a look at water for hours.
The place do you flip to when in search of inspiration, and the way have you ever saved the artistic juices flowing in the course of the pandemic?
I like to find attention-grabbing work by younger artists on Instagram. I additionally take photos of my environment, in search of particulars that catch my eye to maintain in an archive and use in a while. Through the pandemic I attempted to maintain a sure movement; I actually like having a routine from morning till night, so I attempted to protect that.
Lately your artwork appears to have shifted focus from giant areas to smaller settings and on a regular basis objects – particularly oranges! What do you assume has influenced this shift?
It’s tough to explain what’s extra of an instinctive feeling than one thing deliberate. I get older and eventually see the wonder in small on a regular basis particulars! I’m excited about the way in which small ephemeral scenes inform a narrative.
You’ve got a formidable shopper checklist, however what could be your dream collaboration?
I’d love to make designs for shirts! I began to color by hand on linen shirts to experiment, so I’d like to do a collaboration like that with a model.
What are you at present engaged on?
Various things on the identical time; some works about tennis courts, others about nonetheless life and oranges, plus some commissions. I used to be by no means good at specializing in only one factor!