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Drawing : Reflections on Drawing Correspondence

Drawing : Reflections on Drawing Correspondence

Drawing : Reflections on Drawing Correspondence

I made a decision to tackle a drawing course as a participant fairly than as a tutor. You would possibly surprise why I would wish to do that, as I am fairly busy with a number of tasks and instructing drawing myself, however there are all the time issues you may study and above all it is helpful to test in with your self at instances and take a look at whether or not or not you might be nonetheless studying and even able to studying. 

The opposite concern is that like all academic experiences, it’s the those that for one cause or one other additionally discover themselves desirous to undertake the identical course, that you’ll study most from and infrequently that studying is indirect, not anticipated and supplied up completely brazenly. I used to be although additionally within the ‘Drawing Correspondence’ course as a result of the tutors have been all extremely regarded skilled practitioners within the subject of drawing. 

There’s a specific amount of belief that must be stored going all through the course and so I wont be sharing different folks’s work, solely my very own, but when folks wish to remark or add to this reflection they’ll, by merely contacting me and I can add into the submit and even put up one other submit utilizing visitor authors. In case you are studying this I am afraid the course will probably be over, as I agreed that I’d not submit throughout its run time and get what I needed to say checked over earlier than going public. 

Earlier than the course started the crew had put collectively a free on-line occasion, ‘The Physique I Am In’, which was convened by the Drawing Correspondence crew and hosted on-line by Drawing Tasks UK. There have been visitor shows with audio system together with: Chloe Briggs, Tania Kovats, Anita Taylor, Hélene Fromen, Nell Brookfleld and Charmaine Watkiss, the final three being invited audio system. 

I did not get spherical to trying on the recording of this till after I had began, so I cant say that it was the expertise of taking a look at this that made me be part of up, nevertheless it was helpful to have the ability to replicate on different folks’s approaches to coping with the physique in drawing. Particularly I used to be thinking about Nell Brookfield’s presentation as a result of the problem of drawing the face by contact is one thing I’ve encountered a number of instances earlier than and it appears to reemerge at common intervals. 

I first skilled drawing the face by contact as an train on my pre-diploma course after I was at Wolverhampton Faculty of Artwork within the Nineteen Sixties. I used to be intrigued on the time by the outcomes however discovered that I used to be all the time making a compromise by drawing what I remembered of my face concurrently drawing what I felt. Then in the course of the mid Nineteen Seventies I used to be engaged on a Basis course now instructing drawing and thought I would re-introduce the concept, however to start with I believed finest to attempt it out myself. This time I made a decision to make use of very giant sheets of paper and to start within the center however with feeling the again of my head and to solely permit myself to get to the entrance as soon as I had exhausted the again of the top’s tactile data of hair and pores and skin over bone and had begun to construct a language applicable to the sensations I used to be getting by my fingertips. The fascinating concern was that ears due to this fact typically got here subsequent, fairly than eyes, the nostril or the mouth, one ear would possibly emerge because the hand moved left from the place the place the occipital bone involves a rounded finish behind the cranium simply above the place it meets the axis of the spine however the different ear is perhaps reached by a hand slowly exploring the highest of the cranium and dropping right down to the again of the ear. What was significantly fascinating concerning the ear was the quantity of floor it took up. I’ve very giant ones and had all the time been fairly self aware of this, however they now gave me a really troublesome translation drawback. Should you really feel the again of the ear because it emerges from the cranium, you may really feel the cartilage by the pores and skin and you then rise to the highest or helix and your fingers flip over throughout a clean however delicate lip, all of that are areas you cant see once you look in a mirror. Nonetheless then your fingers start to the touch areas you could have seen. This advanced of tactile data meant that an ear expertise would possibly unfold out over a big a part of the paper floor. Step by step I’d transfer to the entrance of the face, however all the time returning to the again or prime of the top as anchor factors, and what this did was launch me finally from my ‘visible reminiscence of the top’. 

I then tried this out as a drawing train on the scholars however only some have been in a position to conceptually grasp the concept, most of them ended up with a drawing of the top from the entrance by contact as a result of it took too lengthy to conceptually disengage with recollections of the top’s visible notion after which re-engage with contact and the rebuilding of visible data based mostly on that. I used to be additionally instructing an grownup training course on the time and the scholars have been older and in some ways extra bold, nevertheless I did not have entry to giant sheets of paper, so we tried out the idea on A4 sheets and it labored so significantly better. By beginning once more behind the top, the scholars constructed ‘joiners’, a few of which stretched the top expertise out and alongside the ground and others into giant freeform circles of images that turned up-side down as they have been pieced collectively. As quickly because the nostril, mouth, eyes visible axis was damaged the pictures took off. This reminiscence was I realised essential, and though I not have the drawings I did at the moment, watching the recording made me assume it was about time to have interaction with this sort of course of once more. 

The periods started with an introduction Chloe Briggs, Tania Kovats and Anita Taylor presenting themselves, adopted by the individuals who had joined this system, every of which had been requested to pick out a drawing to speak about. 

Nonetheless for our first actual drawing problem we have been all given a physique half to attract and I used to be given a left arm. 

These photographs under have been of a few of my makes an attempt. 

I am all the time thinking about what triggers an thought, and in my case it was the truth that every time I’ve to determine my left from my proper I really feel a ache reminiscence in my left arm. This then takes me again to my childhood and a time after I lived with my grandparents within the village of Pensnett in what’s now the West Midlands. It has since been swallowed up by city progress, however within the Nineteen Fifties it was nonetheless straightforward to stroll out into fields, however on the similar time it was not distant from the Spherical Oak Metal works, a spot the place my grandad labored as a practice driver, shunting steel and coal alongside native strains that linked the steelworks to the nationwide rail community. My gran was adept in any respect kinds of nation therapeutic strategies, and after I developed a carbuncle on my left arm, an enormous factor that coated the arm’s bend; she utilized her hand-crafted ointments and pastes and wrapped my arm in bandages. I can nonetheless see in my thoughts the elimination of the massive pad of sticky brown stuff and the sensation of aid that the carbuncle had been eliminated as properly. She did not simply work on myself, different girls specifically would come for recommendation and assistance on well being issues, and often while they did, my gran would make tea and when it had been drunk proceed to ‘learn’ the leaves. I used to attend for the tales and as I listened to them, started to have a primary younger boy’s inkling of the facility of a narrative. I’ve considered my gran many instances since she died and she or he continues to be central to my interested by how we function on this world and the way we’re linked with it. She might speak to horses and had a beautiful nearly symbiotic relationship with them, having grown up in a secure advanced and as a woman having to sleep with horses at evening, in order that she might alert the grownups if a horse was turning into unwell. 

The photographs of tiny arms and palms emerged naturally and I used to be thinking about how they labored as metaphors for the truth that each man has a boy trapped inside him, and it’s typically that trapped boy and his expertise of rising up, that also makes selections for the person.

These ideas are after all very private, and proper from the beginning I realised that this course was going to turn out to be a problem in relation to who can settle for their physique as a publicly confronted provider of tales and who wants to cover behind it or hold their ideas to themselves. I used to be additionally the one man on the course, one thing I solely discovered on the first session and I did surprise if my presence would possibly inhibit others in speaking about their relationship with their physique.  

Between the primary and the second session I started to course of the pictures, in some methods needing to step again from them, they have been too ‘loaded’ with personal life messages and wanted to be universalised. 

These photographs allowed me to carry color again in and likewise pressured me to assume once more about my processes, on this case my lengthy years as a printmaker have been very evident, breaking the pictures down into layers and including color to those being central to those photographs. The ultimate one a kind of reflection on late Michelangelo’s crucifixion drawings and the necessity to discover a picture sitting on the sting of spirituality, however nonetheless grounded within the physique. 

Session two

Session two was centred on on-line life drawing. I’ve prior to now been very dismissive of drawing from on-line sources and have prevented them, however now there was a possibility to search out out whether or not or not something of worth could possibly be transmitted through the display screen. I had dedicated to this program and due to this fact additionally to a sure belief within the supplier, so I used to be happy to search out out that it was potential to get one thing from the expertise. 

The primary encounter was with Lilli, a really pregnant mannequin, who was due to this fact laden by her situation. This after all gave a sure gravity to the state of affairs, and labored to offer me a manner in to creating three dimensional type inside the flatness of the display screen. We got a possibility to loosen up our personal our bodies by making a few quick responses, these I did in charcoal and determined that they have been too clichéd, so determined to work with blended media, as this is able to give me extra alternatives for visible invention. The factor I had been most fearful about in relation to display screen based mostly imagery was actually weight. I did not assume I might get across the lack of bodily presence, however the truth that Lilli was pregnant, gave me a heightened sense of the true behind the lens. In actual fact as I moved the supplies about I started to see her melting down into the cushions she was sitting on, the delicate contours of the sofa-bed, merging into Lilli’s rounded physique. The flesh and blood stuff that lies simply beneath the pores and skin, being what I discovered myself very conscious of and I used to be reminded of my daughter’s final being pregnant when issues went improper and she or he misplaced numerous blood. This personalisation of the state of affairs was once more one thing I hadn’t anticipated however which I ought to have, as even the method of drawing a picture of a left arm had finished this. I used to be starting to understand the physique is all the time a website of intense emotional funding, and that a part of my response was going to be that I used to be now getting previous and my very own physique is starting to fail. This was going to be one thing that grew to become much more obvious when the subsequent state of affairs was revealed. 

As soon as once more we have been launched to the mannequin, this time a completely accountable for her physique dancer, loi. 

The state of affairs was one whereby she would work her manner round a selected set of spatial configurations, a pole was out there for her to carry on to and she or he might management her physique so properly it felt that every motion was choreographed. She was specifically very conscious of the digital camera, and was clearly working to the display screen, composing her physique, in order that ‘photos’ have been being constructed within the drawer’s imaginative and prescient, as a lot because the drawer deciding on varied actions for the drawings. I produced numerous drawings, and once more realised I used to be discovering a approach to work on display screen, this time although discovering what had been about liquidised gravity within the Lilli drawings, was now about tethered flight and motion, loi’s physique grew to become for me very fowl like, her dance one in all fluttering actions, as she labored her manner across the pole centred areas. The drawings I felt have been most profitable built-in loi into the areas she was transferring in, however I by no means fairly felt I used to be getting to a degree past my previous historical past, having labored with dancers and transferring fashions a number of instances earlier than, however after all prior to now all the time within the flesh. This expertise of seeing somebody within the field like area of the pc monitor was each simpler to have interaction with when drawing shortly and conceptually fascinating as this was cyber-space and I hadn’t actually come to phrases with what that meant by way of ‘seeing’ one other human being as an digital type. 

As a result of I used to be having issues going past what I had finished earlier than, I started slicing into the drawings as I did them, pulling the areas out in order that the drawn gestures have been making ‘actual’ curves and in impact one other physique was constructed from the areas loi’s physique had made. Once more these drawing fell wanting what I used to be experiencing and I made a decision to throw them away. As luck would have it, as I started stuffing the issues right into a bag to take them out to the recycle bin, they lastly appeared to search out themselves as photographs, and so started the subsequent stage. 

I realised that if I took these cutup drawings again into the 2D world of the display screen, that there can be some kind of closure to the method, from 3D (loi’s physique) to 2D (the pc display screen), to 2D (my drawings) to 3D (the paper constructions) and again once more to 2D (the pictures on display screen. As soon as liberated by the method I felt in a position to then work with all the pictures as digital information and made a number of giant scale printable photographs that have been designed to work with color as a rhythmic elemental drive, that might heighten for myself the pulsing energy of loi’s unique actions. 

I used to be discovering these photographs very fascinating however nonetheless I felt they fell wanting being an expertise in their very own proper. They have been too ‘straightforward’ too ornamental or not ‘found’, no matter it was concerning the photographs I wanted to do one thing to get to a degree whereby I wasn’t simply going to go away the method unresolved. Then simply to see what would occur I started folding a number of the photographs in half. The fold was central to the sooner course of and I had thought concerning the fold as in Deleuze, a number of instances earlier than when making an attempt to assume by a few of my concepts about how to attract facets of interroception or somatic approaches to physique imaging. 

The bilateral symmetry of the folding took these photographs again into being human our bodies once more. We’re after all like so many animals reliant on bilateral symmetry, constructed round a spine and inner-tube, one thing that so many cultures and societies have understood when making representations of people and their gods. Symmetry offers energy and as I started embedding the motion drawings again right into a centrally folded composition, I realised I had re-discovered one thing essential, that if power is to be captured it must have its handedness balanced and symmetry does that. So I used to be lastly left with a picture I believed had energy, a feminine energy that was channelled from each Lilli and loi and one I used to be for a second at the least going to maintain working at. 

Session three

The third session was about garments and other people. All of us assemble our identities by the garments we put on and barely come throughout bare folks except in very explicit conditions, equivalent to in a life studio or when wild water swimming or in mattress. Due to this fact the session ought to have been very revealing and a manner into coping with the very private points that stored rising. These are a couple of of the drawings I did of the opposite individuals, all of us needed to mannequin one thing that meant one thing significant to us, I modelled an previous tie given to me by my father and tried to tie it on display screen, while telling the story of its father/son historical past. 

I did not assume any of the drawings I did that night have been any good. I wasn’t in a position to get into the opposite folks on this system in the best way I had with Lilli and loi. There was no punctum for me, not sufficient time to search out that entry level I’ve all the time wanted to search out if I’m to get into a picture and each drawing I made was I felt superficial. It was a very good train by way of attending to know the opposite college students and issues have been said that have been very private, and I used to be now very conscious that different college students actually have been dedicated to revealing themselves as a part of the method however one way or the other visually it wasn’t working for me. Maybe I haven’t got sufficient empathy, or on this case simply wanted to spend time making an attempt issues out, as an alternative I used to be too targeted on getting a picture made in the course of the very brief time every particular person advised their story concerning the merchandise of clothes that they had chosen to put on. 

It was solely later when different folks remarked that my tie story was very fascinating that I made a decision to have an try to get into that side and I then made a couple of photographs I used to be a bit happier with, however they weren’t something past common, being too predictable once more. 

Non of the pictures have been going to ask questions as to what the truth of the state of affairs was, the ‘cartoon’ like strategy did not do something past trivialise the concepts and I made a decision to drop the strategy. It was maybe one thing for a brief video, however actually not for memorable two dimensional picture making. 

Session 4

The forth session was way more targeted on self portraiture. Anita Taylor opened the session with an introduction to her personal giant scale photographs of herself. I’ve seen her drawings a number of instances earlier than and have all the time responded to the best way they have interaction the viewer perceptually. Way more fascinating than drawings comprised of images, you get the sense of a visible and tactile journey over a face, that’s itself like a panorama. The vigorous dealing with of charcoal and erasure strategies develops a ‘feeling across the head’ sense and tone is used not simply as a modelling or emotive system, however as a manner of creating mass in area. So it appeared very applicable that the session can be led by her and the reminiscence of her self-portraits that set a fairly excessive bench mark. 

After the expertise of the third session I used to be a bit fearful that I’d not have the ability to reply successfully, however I quickly bought misplaced within the making of responses to views of myself in a mirror. In actual fact I had introduced two giant mirrors down into the studio, in order that I might differ my reflection and see myself re-reflected, which meant I might see a number of photographs of myself. I labored on my knees, crawling backwards and forwards, pushing my mirrored photographs again into the glass, while pulling data out from speedy working throughout sheets of sizzling pressed watercolour paper. Anita had recommended we work on newsprint, however I needed the liberty to make use of moist supplies in addition to dry ones, and the graceful floor of the recent pressed 300gsm paper allowed for each sensitivity to motion in addition to textural manipulation. 

I started every drawing with crayola wax crayons, a kind of nod to childhood, but additionally with an consciousness that no matter I did later can be preserved by the wax, as it will resist any water based mostly pigments. Strains in area, fairly than round options set out the preliminary responses, which meant I did not really feel trapped by my first responses as I did the week earlier than. In actual fact I did not attempt to seize a likeness in any respect, combating area and mass as one thing to tug out of the mirror, and never a floor. As a result of I used to be on my knees I felt like an animal, a canine trying within the mirror, puzzled by what it sees. Solely within the latter levels of those drawings did I attempt to discover any kind of likeness, and it was extra a likeness of attraction than reflection. Marks are typically interested in different marks, they cluster as a result of they want one another’s firm and of their gradual correspondence they lastly adhere into one thing recognisable. That is once more not a few floor likeness however extra a corresponding mass or intuited different, a doppelgänger or ghost of no matter actuality is perhaps on the market within the mirror. 

I did a number of of those drawings, some extra labored on than others and on the finish of the session felt exhausted by the bodily effort of trying and making an attempt to maintain my responses to the trying as sincere as potential. One of many issues if you’re an skilled drawer is that you’ve got a bag of tips that you would be able to all the time check with if a drawing goes improper. No not going improper, trying skinny, no not that both, aesthetically unloved maybe. Anyway I do know it after I see it and I’ve to cease myself making ‘artwork marks’ as an answer. I nonetheless bear in mind my first encounter with this as a life drawing tutor. We had introduced in a brand new tutor from one other faculty and he was thought to be a life drawing specialist, so I used to be very to see how he would train. As I used to be at the moment accountable for reserving life fashions I kind of had an excuse to drop in and see what was occurring. I used to be puzzled at first by a sure similarity of floor being developed by the scholars after which realised that the brand new life tutor was displaying college students the right way to cowl up inaccuracies or clumsy makes an attempt at rendering mass or type by making ‘fascinating’ markings that had the looks of ‘adjustment’ however have been actually stylised markings. It was fascinating to see how many individuals have been fooled by this and a number of other folks remarked on how they thought the drawings have been bettering. Because the tutor labored his manner spherical the category, he would rub out some sections of every scholar’s drawing and those self same ‘fascinating’ marks would start to work their manner into increasingly more ‘improved’ drawings. I feel all of us can generally tend to do that to ourselves as properly, so it is onerous responsible anybody for making an attempt to get the scholars’ work to look extra completed, however an sincere clumsy try will in the long run train the drawer much more. 

See Also
Deanna Petherbridge and Drawing Matter

Solely one of many drawings that was finished from a sideways view within the second mirror survived, however a number of of the top on photographs felt sincere sufficient to maintain, there was one thing about my hand constantly interfering with and touching my face, as if trying into the mirror wasn’t sufficient to make contact with the picture; I needed to really feel it into place. I hardly ever make drawings of myself and when I’ve been making drawings over the previous couple of months they’ve been about how I really feel inside myself. Interroception and somatic responses to the physique have been the place I have been targeted, so in some ways I had additionally drawn myself right into a conundrum. The place does feeling tone come from? I had been in search of it intuitively inside myself, however these drawings discovered it by trying in a mirror. 

I used to be very busy doing different tasks that week so had no actual time to replicate and so felt beneath ready for the subsequent week’s session. 

Session 5

Session 5, entitled ‘Liquid Our bodies’ was led by Tania Kovats and Callen McKeon, organiser of @queerlifedrawing who led as somebody who was gender impartial, or transferring between genders; the fluidity of present gender definitions being one thing that like many people I’ve needed to have interaction with quite a bit over the previous 12 months or so. My very own sexuality is one thing I’m very conscious of is a product of Nineteen Fifties post-war tradition. I all the time felt as if I used to be out of time and place and had had many a run-in with my father as I grew up, primarily as a result of he by no means felt that his son acted like a person. This was a state of affairs solely resolved after I was married and we had youngsters, lastly my father appeared to just accept me as somebody he might determine with. I’m wondering how issues would have turned out for me in a time of liquid modernity? 

The drawings I made have been once more terrible. I used to be very drained, had been engaged on different issues and needed to transfer on the second the session completed to do my permaculture course, for which I had ready a presentation, in order that was additionally behind my thoughts. I believed one thing would come by, however the trying was poor and I could not discover a ‘punctum’ or entry level into the state of affairs. I had thought the picture I made from myself wrapped in a crimson tie and with an androgynous physique a few weeks earlier would have helped me with the empathy points, however no. Maybe I wanted extra time to get to know somebody who was clearly a really fascinating particular person, however who I could not fairly attain by the display screen. I wanted to ‘re-gender’ my supplies in addition to my trying, however hadn’t had sufficient time to familiarize yourself with how.

We additionally had a session responding to breath management. As we managed our respiratory, we drew. Respiratory out and in by the nostril, adopted by in by the nostril and out by the mouth, and in by the mouth and out by the nostril, after which lastly to breathe out and in by the mouth. 

I solely made one drawing, however I used to be very thinking about it due to all of the drawings finished throughout these periods this was the one nearest in intent to the work I had been doing on interroception. I drew with each palms, not trying on the paper, eyes closed and feeling the place I used to be as I modified breath sort. I discovered the drawing fascinating primarily as a result of I realised that I used to be in some methods re-drawing my ribs. (I had made some drawings about ribs and respiratory a short while in the past, however from creativeness, not as a performative hint of a bodily occasion). 
Session six

We have been requested to decide on three drawings to speak about as we have been getting close to to the tip and a few reflection was wanted. I selected these three:

The ultimate drawing was of two photographs I had been engaged on in relation to the interroception theme, the somatic photographs have been now being included into extra recognisable figures, however their interiors have been nonetheless washes of variegated liquids. These are fairly huge, (see the door as dimension test) and I used to be questioning whether or not or to not use them, in addition to interested by how I might use the entire expertise as a manner of taking my drawing on into unexplored territory. Of the three trying again I feel the left arm has most potential, if solely as a result of liquid nature of its making. My bi-lateral symmetry curiosity is now waining and the door sized photographs really feel over blown, however all of them have one thing of curiosity, so I’ll leap off from the place they’re and see the place I land. 

All of us needed to contribute one picture and a brief textual content for a ultimate publication that was designed to replicate our collaborative efforts and I did this twice, to start with deciding on one of many tie drawings after which a self portrait. The textual content for the tie drawing was a bit too lengthy, so I wrote one thing else and made do with that. I used to be starting to get a bit irritated with myself for not with the ability to put extra time in, however I had been instructing much more and was additionally in the midst of a permaculture course, one which additionally held its Zoom periods on Tuesday nights. 

The unique textual content for one of many tie drawings has nevertheless begun to curiosity me once more, so I shall paste it in right here, as I feel it does make some kind of sense, and could also be one thing I return to.

First proposed textual content for ‘The Physique I’m in’ publication

As a drawing I emerged alongside way more technically competent observations and conceptually fascinating approaches to how a physique turns into seen inside a drawing course of. You possibly can see the stays of different ideas sliding by the skinny paper I sit on, however I am not effected my them, I am wrapped in my very own ideas, as I’m wrapped within the reminiscence of a tie as soon as given to me by my father, a person deeply troubled by a son who needed to be an artist. 

Drawings can emerge unbidden and after they do they aren’t all the time appreciated. Like Freudian slips, apologies are made for them, cracks that may destabilise the larger image. As an embodied thought, I’m conscious that I will probably be misinterpret many instances by those that assume first and really feel later; however I am used to that, my father by no means understood me both. 

I am drawn utilizing an implement referred to as a nice liner, on a sketchbook web page 13 centimetres extensive and twenty-one centimetres excessive. The ‘nice’ in liner just like the ‘nice’ in nice artwork, is although too pure for my liking. It is a phrase that got here into use in the course of the mid thirteenth century and was used to check with issues that have been ‘unblemished, refined, pure, freed from impurities and of top of the range’. All phrases that counsel boundaries between issues, methods of separating out what is nice, higher and finest, a phrase developed from the Latin ‘finis’, ‘that which divides, a boundary, restrict, border, finish’, a phrase we’re used to seeing on the finish of any French movie, ‘FIN’. The phrase nice in its present use, doesn’t a lot denote the standard of the artwork work, it factors to the purity of the self-discipline. Therefore in maths we’ve pure maths, and the concept of purity, as we’ve seen so many instances, is an concept that results in the eradication of the un-pure. You might be alleged to be both male or feminine, or of a selected race or color, to be of a sure spiritual or political persuasion. The eradication of impurities and the elimination of the heretic are each sadly implications of our fondness for a nice liner, for an implement designed for its means to attract clear boundaries round and between issues. So my emergence as a picture is probably fortuitous, a reminder that impurity, the not sure, the blended up, the confused and the hybrid, are what is going to form the way forward for each our bodies and drawings. 

Web page from a pocket book

So what did I get out of it? It’s all the time good to test in with different folks which are thinking about drawing. Chloe, Tania and Anita are all seasoned professionals who can provide recommendation and put issues in such a manner that it opens extra doorways, typically its actually easy, equivalent to Tania’s “put your palms across the edges of the display screen” to complete a session with, a easy however one way or the other very profound gesture. The folks met on the course have been all fascinating and we’re planning to maintain the group collectively and I believe that would be the long run profit. As to the drawings finished on my own, I used to be fairly disenchanted, however when checked out in a couple of month’s time I might need modified my thoughts.   

The ultimate publication made as a report of the occasion:

The Physique I’m in

See additionally:

Drawing workouts

Extra drawing workouts 

Drawing and mindfulness Half one

Drawing and mindfulness: Half three: Making a drawing
Drawing and mindfulness: Half 4: Materials conversations
Drawing and mindfulness: Half 5: Discovering your self

Self portrait drawings

Drawing palms

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